Fifteen years of
showing up.

A parking lot, 80 people, one borrowed speaker.
Marisol Reyes-Fontaine and a handful of friends set up folding tables in a church parking lot. They had no permit, no stage, and no plan beyond showing up. Eighty people came.

The first stage. The first grant. The first headline act.
After four years of park permits and borrowed equipment, Gather received its first arts council grant: $4,200. They built a plywood stage. A local drag troupe headlined. The crowd was 400.

The quiet room was born from necessity.
After a young attendee had a panic attack on the main lawn, volunteers improvised a corner of a tent. By 2018, the Quiet Room was a fixture — a sound-dampened space staffed by trained peer supporters.

12,000 people in the clearing.
Last year's festival spanned three days, four stages, and thirty community organizations. Youth ticket sponsorships sent 340 kids who couldn't otherwise afford to come.